I try to stay engaged with emerging tools, especially AI, as part of my process. I’m interested in how these systems can be used not just for efficiency, but as a way to explore new visual directions and expand creative possibilities. Rather than relying on them for finished outcomes, I see AI as something to experiment with, pushing ideas further, testing variations, and sometimes introducing unexpected results that I can refine and integrate into my work. For me, it’s another layer in the process, not a replacement for it.

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I’m particularly interested in cinematic work and the possibilities of moving image. I approach it less as traditional storytelling and more as a construction of atmosphere, rhythm, and tension. I’m drawn to slow pacing, repetition, and subtle shifts that build a certain mood over time. 

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 Influenced by music, I often think in sequences rather than scenes, where sound and image interact to create a cohesive emotional flow. My aim is to create visuals that feel immersive and intentional, allowing space for interpretation rather than direct narrative. 

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